Live performances of Electronic Music tend to rely heavily on technology, and they often do sound like the music of technology. Electronic Music development has historically been mostly oriented to the sound sources and/or the finished work. Unlike in jazz, the individual has rarely been a focal point. By 2003, i began considering to play Electronic Music in a way that is more concerned with the musician than with the instrument; in which technology is a means (not an end) to focus on personal decisions and musicianship; in which what you play matters more than the instrument you play with.
Rafael Toral, 2003 - 2010
Some lines of development in the Space Program:
(orchestral environment for electronic instruments)
Solo series:
Space Elements series:
(solo performance on specific instruments; there are 6 so far)
(orchestral formation in slow development)
("classic" free jazz trio, but electronics-driven)
(Intensive practical work in 4 days, including collective performance)
(Detailed presentation of the Space Program's concepts and features, with graphics and audio, discussion with the audience)
NOTE: Any of the projected items may be changed, the Space Program itself is always in motion and changing.
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